Fast Fact Tag: wooden trumpet

Early European writers often called the didgeridoo a “trumpet”, “horn”, “pipe” or even a “conch”. They were using familiar European words to describe an Aboriginal instrument for which they did not yet have a common English name.

Herbert Basedow, writing in 1925, called it a “bamboo trumpet”, a “drone-pipe” and a “didjeridoo”. Alice Moyle later noted that Baldwin Spencer had called the Australian wooden trumpet a “conch” when making his 1912 sound recordings.

These descriptions were based on how the instrument looked and sounded: a hollow tube played by blowing with vibrating lips. They did not mean that the instrument was literally the same as a European brass trumpet.

Old references to a “trumpet” can therefore be important evidence for the didgeridoo. But context still matters — not every hollow tube, horn or trumpet-like instrument recorded in Australia was necessarily a didgeridoo.

No. Historical writers recorded several hollow tubes or trumpet-like instruments, and it is risky to label every one of them a didgeridoo.

Spencer and Gillen described a short Central Australian instrument called the ilpirra or ulpirra as a “rudimentary trumpet”. Their description indicates that it was used by singing or voicing through the tube rather than simply being played in the same way as the better-known northern lip-buzzed didgeridoo.

Alice Moyle later noted that old recordings and written descriptions included different trumpet forms, including the “conch”, yiki-yiki and northern wooden trumpets. Some are clearly connected with the didgeridoo tradition; others need to be treated separately unless the evidence is strong enough.

That distinction matters when reading old sources. A writer’s use of the word “trumpet” is a clue, not automatic proof that the object was the same instrument now called a didgeridoo.