The didgeridoo was not simply a stand-alone musical instrument. Historical accounts most often record it as an accompaniment to singing, dancing and ceremony.
Leichhardt described the Eboro accompanying songs near Port Essington. Baldwin Spencer later recorded bamboo trumpets sounding during initiation ceremonies in the Northern Territory, alongside singing, clapping and struck sticks.
In Spencer’s account of a Kakadu ceremony, the ordinary trumpet was called Jiboulu and its sacred counterpart Purakakka. The instrument could therefore have a ceremonial meaning as well as provide rhythm and sound for performers.
Its use varied between communities and occasions. The evidence supports song accompaniment, dance and ceremony strongly; broader claims about a single universal “purpose” should be avoided.
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