Fast Fact Tag: Mornington Island

The didgeridoo is often presented today as though it was traditionally used by Aboriginal people across Australia. The historical evidence does not support that view.

The earliest written records are concentrated in northern Australia. Thomas Braidwood Wilson described the instrument at Raffles Bay in 1835, Ludwig Leichhardt recorded the Eboro near Port Essington in 1845, and John Lort Stokes also described it in northern Australia in 1846. These early records all come from the Top End.

Later research by Alice Moyle also found that the didgeridoo had a much more limited traditional range. She argued that it probably began in northern Australia and spread into other northern areas over time. Some of that spread may have happened before European settlement, but there is also clear evidence of later spread. On Mornington Island, Moyle recorded in the 1960s that didgeridoo playing was a fairly recent musical innovation and that Lardil people said it had been adopted from Arnhem Land only within the previous twenty to thirty years.

The evidence therefore points to the didgeridoo being a northern Australian instrument that later spread much more widely. Its modern use as a symbol of Aboriginal Australia as a whole should not be assumed to reflect how widely it was traditionally used before European settlement.

 

The didgeridoo is now one of the best-known symbols of Aboriginal Australia, but that national image isn’t reflected in its documented history.

Nineteenth-century accounts repeatedly place the instrument in Australia’s tropical north — including Raffles Bay and Port Essington. Early descriptions of many southern Aboriginal musical traditions record other forms of accompaniment without showing the same instrument.

Alice Moyle’s research showed just how varied Aboriginal music was. Paired sticks, boomerang clapsticks, rasps, animal-skin drums, body percussion and other forms of accompaniment existed alongside the didgeridoo. It was not historically the universal accompaniment to Aboriginal song.

During the twentieth century the instrument spread more widely through missions, travel between communities, recordings, performance and the Aboriginal arts. Mornington Island is a useful example: Moyle recorded that local people regarded didgeridoo playing there as a fairly recent adoption from Arnhem Land. Its modern national importance is genuine, but it should not be mistaken for evidence that every Aboriginal group traditionally used it.